Opening: 28 June 2019, 6 – 9 pm
Exhibition: 29 June – September 2019
"I plan and visually construct buildings, which will protect nature from threats of pollution and what is more important, from actions of man. (...) when putting nature into a museum, you have to take under consideration the aspect of the audience/consumer. Nature becomes a joyride for tourists or a beautiful landscape turns into a meditative theatre show.”
Kristján Guðmundsson | Tanja Koljonen | Rainer Paananen | Finnbogi Pétursson | Mikko Rikala | Ragna Róbertsdóttir
Opening: 14 September 2018, 6–9 pm
Exhibition: 15 September – 17 November 2018
Gallery Taik Persons is delighted to present Sanna Kannisto‘s second solo exhibition Wanderer, Observer and Conveyor as part of the European Month of Photography Berlin.
Sanna Kannisto works on the verge of experiences in nature. Sometimes that means windy weather on a rugged peninsula in Hanko, Finland, and at other times spending weeks in the rain forest on the other side of the Pacific. The force that urges her on is found in nature: birds, plants and landscapes. Sanna Kannisto has photographed animal, plant and landscape subjects over a couple of decades. She has developed her own methods of creating images, which are often titled taxonomically.
Rita Anttila | Elina Brotherus | Ulla Jokisalo | Aino Kannisto | Anni Leppälä | Kukka-Maria Rosenlund | Miia-Mari Virtanen
Opening: Friday, 29 June 2018, 6 to 9 pm
Exhibition: 30 June – 8 September 2018
Gallery Taik Persons proudly presents it’s upcoming group exhibition Reflections: From Here to There, a selection of six artists who have all been associated with the Helsinki School, spanning four generations beginning in 1995.
This exhibition is a very personal insight into how these artists translate and process their feelings and memories into their own rooms with a view.
Opening: 27 April 2018, 6 – 9 pm
Exhibition: 28 April – 23 Juni 2018
On the occasion of Gallery Weekend Berlin, Gallery Taik Persons has the privilege and pleasure to introduce Niko Luoma‘s most recent works in the exhibition Content is a Glimpse of Something.
The title of the show stems from an interview between Willem de Kooning and David Sylvester from 1960 unfolding the method by which the painter approached his paintings prior to and during the process of realizing them. Luoma, who uses one of de Kooning’s bronze sculptures Head #4 as a subject piece in the exhibition, was drawn to the title by this discussion because of his own fascination for the process of doing, specifically in how it utilizes the act of trial and error as a way to unleash the unexpected. Luoma‘s uniqueness is based around his system-based experiments where the negative becomes a record for its own realization, for the compositions of overlapping planes of color and dimensionality. In his most recent series Adaptations, he reinterprets masterpieces from art history, spanning his inspirations from Vincent van Gogh’s Sunflower series (1887–89) to the iconic swimming pool paintings by David Hockney from the 1960s.
Opening: 16 February 2018, 6 – 9 pm
Exhibition: 17 February – 21 April 2018
Gallery Taik Persons is highly pleased to present Riitta Päiväläinen with her solo exhibition River Notes.
Over the past two decades, Päiväläinen’s unique works have become
internationally renowned through their idiosyncratic language and style
based upon her deep sense for story-telling. Essentially, the visual
imagery of Päiväläinen’s compositions can be boiled down to two
elements: nature, and textiles. Combining nature and a poetic use of
textiles, she creates a stage on which to reenact memories of their
Exhibition: 3 November 2017 – 10 February 2018
Opening: 24 November 2017, 6 – 9 pm
Gallery Taik Persons is proud to present Jari Silomäki's solo exhibition Framing the World. An Essay on the Organization of Experience.
For this project, Silomäki collected more than two-hundred personal stories written on online platforms from all over the world, from people completely unknown to him. He translated a selection of these stories into a series of photographs that are now on display in the exhibition. Together, they form a collective narrative, in which the personas behind the aliases begin to unfold.
Opening: 15 September 2017, 6 – 9 pm
Exhibition: 16 September – 28 October 2017
In living a life there are very few guarantees, but experiencing loss is one emotional hurdle we all will face at some given point. How we handle it depends upon its nature, but the death of a loved one carries its own signature. It is a fundamental human experience that can bring solace for some and the loss of self for others. Rebecca Solnit once wrote, „to be without a story is to be lost in the vastness of a world that spreads in all directions like Arctic tundra or a sea of ice" (from The Faraway Nearby, 2013). This is the starting point in understanding Hilla Kurki‘s newest body of work Fallen Feathers (from the Phoenix series).
Opening: 30 June 2017, 6 – 9 pm
Exhibition: 1 July – 9 September 2017
Gallery Taik Persons is highly pleased to present Nelli Palomäki with her solo exhibition Shared.
Palomäki’s photography, continuously pioneering the tradition of classic black-and-white portraiture, has established the artist among the most celebrated to evolve from the Helsinki School and Aalto University School of Arts, Design and Architecture over the past decade. Shared explores the complex theme of siblinghood, decipherable in its powerful, dynamic manifestations of human relationships and familial bonds.
Opening: 28 April 2017, 6 – 9 pm
Exhibition: 29 April – 24 June 2017
Finding Bones is more than just the introduction of a newly rediscovered body of work by Grey Crawford. It’s an anthology of photographs that embody the creative spirit that was prevalent throughout the Los Angeles art scene at the time. Southern California in the early 1970’s was an island of its own creation. A mixture of surf and sea, concrete highways winding around an ever-changing cultural climate that was challenging our assumptions of what art is. It was a moment of new beginnings in various medias.
Opening: 20 January 2017, 6 – 9 pm
Exhibition: 21 January – 19 April 2017
Gallery Taik Persons is highly pleased to present Marked Sites, our first exhibition in 2017, featuring works by Jaakko Kahilaniemi, Jyrki Parantainen, and Anna Reivilä.
The exhibition and its title refer to Rosalind E. Krauss’ essay Sculpture in the Expanded Field (1979), in which she presents the theory of the ‘expanded field’ to explain the development of the definition of sculpture in contemporary art. In her theory, she refers to so-called "marked sites” as a "combination of landscape and non-landscape.”
Opening: 28 October 2016, 6 – 9 pm
Exhibition: 29 October 2016 – 14 January 2017
Ten years after Joakim Eskildsen completed his work on The Roma Journeys and after touring more than 30 venues, Gallery Taik Persons has the pleasure to present the project for the first time at its Berlin gallery.
Opening: 9 September 2016, 6 – 9 pm
Exhibition: 10 September – 22 October 2016
Gallery Taik Persons is pleased to present Tanja Koljonen’s solo show Between Two Dots as part of EMOP – European Month of Photography 2016 in Berlin.
A red line running through Koljonen’s photographic works is the critical inquiry and artistic negotiation of polar opposites and complementary extremes: reason and instinct, rules and chance, communication and alienation, exposure and concealment. Based on objets trouvés and fragments of texts and images as traces of human inscription, the artist’s work sees an increased dealing with language, and the visual, material potential of words and ideas.
Opening: 29 April 2016, 6 – 9 pm
Exhibition: 30 April – 30 July 2016
"We dream of traveling through the universe—but is not the universe within ourselves? The depths of our spirit are unknown to us—the mysterious way leads inwards. Eternity with its worlds—the past and future—is in ourselves or nowhere.” (Novalis, Philosophical Writings, p 25, Suny Press, 1997)
Gallery Taik Persons is pleased to present a selection of Adam Jeppesen’s œuvre from the series Flatlands Camp Project along with his most recent works in the solo exhibition entitled Vaca Muerta.
Seven years ago, the artist embarked on a 487 days unaccompanied and relentless journey taking him through the Americas from the Arctic to Antarctica. The presented works are devoid of people, only showing vast, isolated and savage landscapes, completely uninhabited—sometimes the high altitude and the extreme concentration of salinity renders the territory uninhabitable.
Gallery Taik Persons proudly presents Milja Laurila’s most recent works in the solo exhibition In Their Own Voice raising the questions of the apparent transparency of our pictorial realm and the act of being looked at.
Who is looking and whom is the gaze being focused on? How do we look at a body, a child, a woman, a man, the world? Are we looking without seeing? We are observing, but the sight might penetrate its target, see distorted, drift away. Laurila questions if photographs have the ability to forget what they once were proof of. She asks, if images detached from their original context, still remain related to the original semantic field or transform into something else. Can an image of a young girl’s spine suffering from scoliosis transform without captions into a sculptural beauty?
Gallery Taik Persons is highly pleased to present Anni Leppälä with new works in her solo exhibition the light of other days in Berlin.
Leppälä’s works draw landscapes of the interior. With their acute sensibility of color and power of composition, they speak beyond the representational realm of words. Her motifs function as visual signifiers-⎯non-verbal metaphors and symbols⎯that carry concealed, ambiguous meanings. They are to be grasped and experienced through tacit knowledge similar to an oneiric state of consciousness, rather than logical reasoning.
The past ten years Luoma has been continually working with entirely abstract visual content through the medium of photography. His method involves a calculated, analogue technique of repeatedly exposing a single negative to lines of light, sometimes up to thousands of times, thus generating what has been denoted as "abstract photographs of time”.
Photographic function becomes content itself: what Luoma’s works have in common is their self-referentiality, in that they point towards the moment of exposure -the process of their own creation- in medium-reflexive way. Though intricately systemized parameters and number sequences are determined by Luoma prior to the exposures, he never knows what the final result will look like. His works are constituted by their inherent tension of order and chance.
I move freely between the sun and the moon.
I go further
I plunge into black holes and emerge intact.
I ride on comets, count galaxies.
I’m on speaking terms with lights-years.
"I plunge into black holes and emerge intact” is the continuation in the series of group shows showing new positions in photography, within the Gallery program of conceptually rigorous artistic practitioners. The summer show takes its point of departure in a poem by the Lebanese-American poet, essayist and visual artist, Etel Adnan, whose thoughts on the importance of light and luminosity, abstraction and consciousness will form the core of the display. Placing viewers in a realm of visual perceptual experience, the exhibition explores contemporary abstraction in photography and the permanence of light: its cosmic origins, multifaceted uses and atmospheres, which are highlighted through five different approaches of singular artists.
Gallery Taik Persons proudly presents Ulla Jokisalo’s solo exhibition How to be both with her newest assemblages and installations.
The artist Ulla Jokisalo cuts, masks, embroiders and perforates image fragments. With needles, pins and thread she attaches and binds together parts of reality, creating her own surrealistic universe. Jokisalo is an architect of images, who through the use of cutouts, highlights opposites and contradictions. In her newest works, the artist mainly uses found and ready made image material, which she combines to create transformational stories about human life.
Gallery Taik Persons is proud to present Displacement, the first in a series of curated group exhibitions showing new positions by young artists working with (and around) the medium of photography.
The title of the show refers to the distance that exists between experience and memory, and the translation of one into the other. The works in this exhibition encourage the viewer to think about their points of contact with memory and their emotional and aesthetic experiences. The show questions how these points of contact are preserved in our minds and asks the question: is it possible to exist in two places at the same time? Sensory and finite encounters are articulated through the use of the photographic process with space for materiality in the form of sculptures, collages and film.
Gallery TAIK Persons is highly pleased to present Helsinki School artist Jyrki Parantainen with a selection of works from his early series Earth (1989–1991).
Parantainen, who played a key role as to the Helsinki School during its founding years, continues to be one of the School’s driving forces. Always seeking to further his conceptual approaches and working methods in the production of artworks, Parantainen’s creative process has undergone significant transformations throughout his now over twenty-year long career. While older works were dedicated to photography and installation in characteristically large-scale formats, more recent works as shown in the exhibition Between Heaven and Earth (2012) departed entirely from the former medium and testified a new tendency towards small-scale objects.
A continuous red line in Parantainen’s oeuvre is the importance of conceptualization and preparation in producing a new work, both mentally and materially. Critical introspection and methodical accuracy are crucial aspects to this process, which Parantainen likens to writing a script for a film. The implementation of the work reveals itself as a stage on which personal emotional endeavor, precise technique, and perfect timing engage in a forceful intimate dialogue, palpably described by Parantainen as a form of "wrestling”.
Gallery Taik Persons is pleased to present the exhibition Hotel Bogota with previously unseen works by Aino Kannisto on the occasion of the 6th European Month of Photography in Berlin.
Aino Kannisto works within a photographic tradition that combines a documentary style with the dream-like vision of filmmakers. Kannisto uses staged photography as "a way to give meaning to life by sharing a part of the world which otherwise remains private". Her cinematically influenced photographs depict internal emotional landscapes with an eerie tension, a self imposed catharsis.
Gallery Taik Persons is highly pleased to present Maanantai Collective with its exhibition Between the Flashes of the Lighthouse in Berlin for the first time. The show displays selected works from the series Nine Nameless Mountains (2012–2013) as well as a new set of so far unexhibited works.
Maanantai Collective’s body of work is the product of creative processes pursued by "one common author and sixteen eyes”. The group of eight artists represents a young generation of Helsinki School exponents that questions and challenges the notion of authorship. It therefore comes as no surprise that individual names remain in the background of Maanantai’s public presence as a collective whole. Catalyzing the group’s initial formation in 2011 was the shared experience of a joint trip to the Lofoten Islands in Norway; its aim being "to escape North”.
Richard Winther (1926–2007) was a Danish painter, sculptor, lithographer, ceramist, writer – and photographer. For almost 70 years he explored, interrogated and worked with the medium with an incessant curiosity. Winther was a pioneer in the evolution of experimental photography.
Gallery Taik Persons is thrilled to present Santeri Tuori’s first solo exhibition in Berlin. The show exhibits photographs from the series Sky Prints (2011– 12/2014), as well as a video from the Forest series (2009).
Santeri Tuori is one of Finland’s leading contemporary visual artists. As an exponent of the Helsinki School, he has become well known for his innovations in merging the media of photography and video art. The combination of still and moving images in Tuori’s works weaves together multiply layered com- positions that present more than the mere sum of their productive parts. While the subjects of his series have various origins in classical genres of human portraiture (e.g. Bogeyman [2001/2004], 35 Minute Smile , Karlotta [2003/2004]), traditions of landscape painting (as with the works now on display), or in more abstracted, minimalist depictions of nature and natural environment (e.g. Sea , Waterfall ), all have in common that space is never organized according to the straightforward linear logic of temporal order and movement habitual to our practices of seeing – not only in viewing nature, but also art.
Gallery Taik Persons is thrilled to present Pertti Kekarainen’s first solo show in Berlin: TILA/Spatial Changes.
Pertti Kekarainen’s series TILA (since 2004) has been evolving over the course of the past ten years and consists of some 130 works in total. This extensive scope conveys well the inexhaustibility of meanings that adheres to the Finnish word tila after which the series is named. In its primary sense, it describes an architectural space, a room, or an interior space inside of an object; moreover a space or distance between different objects. At the same time, tila refers to a conditional state of a phenomenon as well as certain state of mind. Its connotations reach into various life spheres of social, cultural, and political significance. Just as meanings of words are always construed anew relative to the things they signify, so do Kekarainen’s works remain in a constant state of flux. His TILA are elusive, open structures, through which the partaker may experience and make sense of his own understanding of space. Whereas the works embody formally static entities as flat, hung images, their three-dimensional depth can be permeated visually by the perceiver whose compositional comprehension of the images slightly rescales and refocuses with each new pictorial element that he comes across.