Paweł Książek

As part of Berlin Art Week 2026

Exhibition: 11 September - 31 October 2026
Venue: Persons Projects, Lindenstr. 35, 10969 Berlin

As part of Berlin Art Week 2026, Persons Projects is proud to present Rhizome, a solo exhibition by Paweł Książek, bringing together the black-and-white drawings of the Narrations series and a selection of his new paintings. The exhibition unfolds as a collection of ideas, images, and associations rather than a single, linear story. Within the works, visual form and language enter into dialogue, creating a space where the visual and the written coexist in tension and resonance. Książek’s mastery of both drawing and painting is evident throughout the exhibition, with his precise control of line, tone, and light giving the works a remarkable intensity and presence.

Joakim Eskildsen | Katarzyna Kozyra | Paweł Książek | Zofia Kulik | Milja Laurila | Dominik Lejman | Jorma Puranen

Opening: Friday, 17 November 2023, 6 – 8 pm

Venue: Persons Projects, Lindenstr. 34–35, 10969 Berlin

Persons Projects is delighted to present the latest group exhibition titled Portraiture as Social Commentary; this exhibition not only highlights the different aspects of the genre but also links together a variety of artistic perspectives. A portrait is a painting, a photograph, a sculpture, or any other representation of a person in which the face and its expressions are predominant. They reveal the presence of the subject viewed from the perspective of the artist – a merger of contrasts between what’s projected by one and perceived by another. These images become mirrors of many faces that reflect both the political and cultural undercurrents relevant to the time period in which they were conceived.

Exhibition: 27 April – 28 June 2023


Opening: Friday, 28 April 2023, 6 – 9 pm

Venue: Persons Projects, Lindenstr. 35, 10969 Berlin

Persons Projects is proud to present a selection of paintings and drawings from Paweł Książek's latest series Movement dedicated to the development of experimental dance in the Weimar Republic. The starting point for Książek's series are two preserved photographs of the Viennese dancer Susanne Birkmeyer taken by Trude (Gertrude) Fleischmann in the 1930s in Vienna. Because of her Jewish background, Fleischmann was forced to emigrate to Paris, London, and eventually, with the help of her former student and lover Helen Post, to New York after the Anschluss in 1938. With his series, Książek engages in a direct dialogue with these pioneering artists, some of whom have been forgotten, and thus revives their art.